Close up is right! Klein put a wide-angle lens on his camera, headed for any crowd he could find, and got as close as he could. He decided not to worry about graininess, blurriness, depth of field, and other technical considerations but to go for a spontaneous feel. He got it. These double-page, black-and-white photos are overflowing with people--blurry, grainy, and out of focu...(展开全部)

Close up is right! Klein put a wide-angle lens on his camera, headed for any crowd he could find, and got as close as he could. He decided not to worry about graininess, blurriness, depth of field, and other technical considerations but to go for a spontaneous feel. He got it. These double-page, black-and-white photos are overflowing with people--blurry, grainy, and out of focu...(展开全部)

"A vibrant telling, amplified by striking images and photographs, of the Curiosity mission to Mars....A totally gratifying account." --Kirkus Reviews "Kaufman’s vivid description of the Curiosity rover mission to Mars, its history and its scientific results brings you as close as possible (without being a member of the science team) to the excitement, the frustration and the ex...(展开全部)

"A vibrant telling, amplified by striking images and photographs, of the Curiosity mission to Mars....A totally gratifying account." --Kirkus Reviews "Kaufman’s vivid description of the Curiosity rover mission to Mars, its history and its scientific results brings you as close as possible (without being a member of the science team) to the excitement, the frustration and the ex...(展开全部)

若热•亚马多（1912—2001），巴西当代著名作家，才华横溢，勤奋多产，在巴西拥有最广泛的读者，作品长年畅销不衰。1931年发表处女作《狂欢节之国》，1933年因发表以可可种植园农民的苦难生活为题材的小说《可可》一举成名。1937年由于参加进步政治运动被捕入狱，他的书被认为颠覆政权，《狂欢节之国》、《可可》、《汗珠》、《儒比亚巴》、《死海》、《沙滩船长》等被当众焚烧。后流亡国外，1952年回国后专事写作，1958年推出《加布里埃拉》，首印两万册，几天内销售一空。1961年当选为巴西文学院院士，五年后获得诺贝尔文学奖提名。 若热•亚马多在近七十年的文学生涯中创作了三十多部长篇和短篇小说，以及诗歌、散文。其作品被译成四十九种文字，在五十五个国家出版。他在作品中反映了巴西社会生活的许多方面，创造了五百多个生动的人物形象，其中不少人物在巴西家喻户晓。他的作...(展开全部)

若热•亚马多（1912—2001），巴西当代著名作家，才华横溢，勤奋多产，在巴西拥有最广泛的读者，作品长年畅销不衰。1931年发表处女作《狂欢节之国》，1933年因发表以可可种植园农民的苦难生活为题材的小说《可可》一举成名。1937年由于参加进步政治运动被捕入狱，他的书被认为颠覆政权，《狂欢节之国》、《可可》、《汗珠》、《儒比亚巴》、《死海》、《沙滩船长》等被当众焚烧。后流亡国外，1952年回国后专事写作，1958年推出《加布里埃拉》，首印两万册，几天内销售一空。1961年当选为巴西文学院院士，五年后获得诺贝尔文学奖提名。 若热•亚马多在近七十年的文学生涯中创作了三十多部长篇和短篇小说，以及诗歌、散文。其作品被译成四十九种文字，在五十五个国家出版。他在作品中反映了巴西社会生活的许多方面，创造了五百多个生动的人物形象，其中不少人物在巴西家喻户晓。他的作...(展开全部)

若热•亚马多（1912—2001），巴西当代著名作家，才华横溢，勤奋多产，在巴西拥有最广泛的读者，作品长年畅销不衰。1931年发表处女作《狂欢节之国》，1933年因发表以可可种植园农民的苦难生活为题材的小说《可可》一举成名。1937年由于参加进步政治运动被捕入狱，他的书被认为颠覆政权，《狂欢节之国》、《可可》、《汗珠》、《儒比亚巴》、《死海》、《沙滩船长》等被当众焚烧。后流亡国外，1952年回国后专事写作，1958年推出《加布里埃拉》，首印两万册，几天内销售一空。1961年当选为巴西文学院院士，五年后获得诺贝尔文学奖提名。 若热•亚马多在近七十年的文学生涯中创作了三十多部长篇和短篇小说，以及诗歌、散文。其作品被译成四十九种文字，在五十五个国家出版。他在作品中反映了巴西社会生活的许多方面，创造了五百多个生动的人物形象，其中不少人物在巴西家喻户晓。他的作...(展开全部)

In this exhaustive guide to macro photography, respected author and photographer Adrian Davies takes a comprehensive approach to the subject, covering every aspect of the multi-faceted and often complicated world of close-up photography. Everything about Adrian's approach is both practical and diverse, with optimal output always in mind. His coverage of equipment, for example...(展开全部)

In this exhaustive guide to macro photography, respected author and photographer Adrian Davies takes a comprehensive approach to the subject, covering every aspect of the multi-faceted and often complicated world of close-up photography. Everything about Adrian's approach is both practical and diverse, with optimal output always in mind. His coverage of equipment, for example...(展开全部)

In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close...(展开全部)